Mrs. Rosenstein, watercolor/encaustic 12x9 - there's always a story, but I usually keep it to myself.

It's Bridge night and Mrs. Rosenstein always serves her famous horseradish deviled eggs, but alas the hens have not been laying properly due to a rogue rooster that has been terrorizing the ladies. She is relegated to bringing out the ukulele between rounds in hopes the others do not notice the lack of food. There is always the hope that they will bring APPROPRIATE appetizers, unlike Mrs. Munk's niece, Chip, who in quite horrid taste brought beef jerky to the last gathering. She has been 86'd for life.

Part of Carrie Goller's creature collection.  Original mixed media (encaustic/watercolor) painting on heavy watercolor paper affixed to light-weight, wooden box support with 2" gallery wrap edges, coated with clear encaustic medium, front and sides (to show wood grain, see Photo 2).  Last photo shows watercolor painting before mounting and applying encaustic (beeswax-based) medium to painting.  This contemporary style does not require framing, but can be framed if desired.  Ready to hang or set on shelf or surface.  

Inquire about giclee prints via email: info @ CarrieGoller.com

WHAT IS ENCAUSTIC?

First used by the Greeks over 2000 years ago, encaustic (beeswax medium) is one of the earliest known forms of painting. The amazing Fayum Mummy Portraits painted with encaustic by the Greeks in Egypt, (late 1st century BCE or the early 1st century CE) are still fresh, vibrant, and exhibited today in the world's greatest museums. Artist Jasper Johns is credited with the modern renaissance of encaustic fine art with his work that began in the 1950's. 

Painting with encaustic involves melting, applying, then heat fusing layers of beeswax mixed with various mediums. The technique generates a luminous, rich surface that brings visual beauty and depth to the wax. Back from obscurity, modern tools have made the process more practical for encaustic artistry. The protective nature of the beeswax helps maintain freshness and preservation of color, preventing the wax from darkening or turning yellow. Impervious to moisture, these pieces need not be varnished or put under glass. 

Carrie Goller interprets this ancient medium into contemporary works. Illuminated in brilliant color or delicate opalescence, her compositions encompass oversized serene seascapes & landscapes, to tiny whimsical country scenes. Goller states, "I do not consider myself an 'encaustic artist', although I have instructed and work in that method. I am an artist that works in a variety of media; encaustic just happens to be one of them. The idea and expression of the work inspires me more than the technique itself."